{"id":5850,"date":"2025-08-21T16:56:15","date_gmt":"2025-08-21T14:56:15","guid":{"rendered":"https:\/\/www.proof.de\/?p=5850"},"modified":"2025-08-22T11:39:55","modified_gmt":"2025-08-22T09:39:55","slug":"adobe-photoshop-ve-indesignda-hatali-gri-tonlama-goeruentuesue","status":"publish","type":"post","link":"http:\/\/blog.proofs.de\/tr\/falsche-graustufen-darstellung-in-adobe-photoshop-und-indesign\/","title":{"rendered":"Adobe Photoshop ve InDesign'da hatal\u0131 gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcleme"},"content":{"rendered":"
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\n 4.6\/5 - (16 votes) <\/div>\n <\/div>\n\n

Adobe \u00fcr\u00fcnleri, g\u00f6r\u00fcnt\u00fc r\u00f6tu\u015flama ve mizanpaj i\u00e7in idealdir ve a\u015fa\u011f\u0131dakilerle \u00e7al\u0131\u015f\u0131r RGB<\/a>- ve CMYK<\/a>-Renk profili<\/a>\u00e7ok iyi. Ancak, \u00f6rne\u011fin siyah beyaz resimli bir kitap i\u00e7in gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcleri d\u00fczenlerken ve r\u00f6tu\u015flarken, deneyim farkl\u0131d\u0131r. G\u00f6r\u00fcnt\u00fcler InDesign'da aniden Photoshop'takinden tamamen farkl\u0131 g\u00f6r\u00fcn\u00fcr ve gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcler PDF'ye aktar\u0131l\u0131rken de aniden farkl\u0131 muamele g\u00f6r\u00fcr.<\/p>\n\n\n\n

Bu makale, InDesign ve Photoshop'ta siyah beyaz g\u00f6r\u00fcnt\u00fcler ve gri tonlamal\u0131 profillerle ilgili sorunlar\u0131 ve mizanpajlar yaln\u0131zca Adobe Acr'de olu\u015fturulmu\u015f olsa bile Photoshop ve InDesign'da en az\u0131ndan nas\u0131l daha \"renkli-do\u011fru\" \u00e7al\u0131\u015fabilece\u011finizi a\u00e7\u0131klamaktad\u0131r.oba<\/a>tamamen renk ba\u011flay\u0131c\u0131d\u0131r.<\/p>\n\n\n\n

Adobe Photoshop gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcleri nas\u0131l i\u015fler?<\/h2>\n\n\n
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\"Proof.de<\/a><\/figure>\n<\/div>\n\n\n

Adobe Photoshop'taki renk ayarlar\u0131nda bir gri tonlama ayarlayabilirsinizICC<\/a>-Photoshop'un gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fclerinizi g\u00f6r\u00fcnt\u00fclemek i\u00e7in kulland\u0131\u011f\u0131 profil. Photoshop'taki klasik varsay\u0131lan ayar gri tonlama profilidir \"Dot Gain 15%\"<\/strong>. Bu profil, gri tonlar\u0131 n\u00f6tr gri ekseninde, sanki bir foto\u011fraf makinesi kullan\u0131yormu\u015fsunuz gibi g\u00f6r\u00fcnt\u00fcler. Ton de\u011feri art\u0131\u015f\u0131<\/a> y\u00fczde 15'e kadar \u00e7\u0131kabilir. Elbette, farkl\u0131 ton de\u011feri art\u0131\u015flar\u0131na sahip ba\u015fka profiller veya kay\u0131tl\u0131 gri tonlama profilleri de se\u00e7ebilirsiniz Gamma<\/a>Mac ve Windows PC'lerin iki klasik gama e\u011frisi olan 1.8 veya 2.2 gibi e\u011friler. D\u00f6rt farkl\u0131 gri tonlama profilinde 50% de\u011feriyle yap\u0131lan bir testin de g\u00f6sterdi\u011fi gibi Photoshop bu profilleri do\u011fru \u015fekilde tan\u0131yor ve i\u015fliyor: T\u00fcm tonlar, farkl\u0131 profillere atand\u0131klar\u0131 ve ton de\u011feri artt\u0131\u011f\u0131 i\u00e7in ekranda ayn\u0131 gri de\u011ferlerle farkl\u0131 \u015fekilde g\u00f6r\u00fcnt\u00fcleniyor.<\/p>\n\n\n\n

Ne yaz\u0131k ki, Adobe InDesign'a aktard\u0131\u011f\u0131m\u0131zda, PDF olarak d\u0131\u015fa aktard\u0131\u011f\u0131m\u0131zda ve bir matbaaya g\u00f6nderdi\u011fimizde t\u00fcm g\u00f6r\u00fcnt\u00fcler farkl\u0131 g\u00f6r\u00fcn\u00fcyor. ISOCoatedV2<\/a> yazd\u0131r\u0131n. \u015eimdi InDesign'\u0131n bu gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcleri nas\u0131l i\u015fledi\u011fine bir g\u00f6z atal\u0131m.<\/p>\n\n\n\n

\"Proof.de:<\/a><\/figure>\n\n\n\n
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\"Proof.de:<\/a>
50% Nokta Kazanc\u0131 15% = LAB<\/a> 66\/0\/0<\/figcaption><\/figure>\n\n\n\n
\"Proof.de:<\/a>
50% Nokta Kazanc\u0131 20% = LAB 62\/0\/0<\/figcaption><\/figure>\n\n\n\n
\"Proof.de:<\/a>
50% Nokta Kazanc\u0131 25% = LAB 57\/0\/0<\/figcaption><\/figure>\n\n\n\n
\"Proof.de:<\/a>
50% Nokta Kazanc\u0131 30% = LAB 52\/0\/0<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

\u0130yi: T\u00fcm gri tonlamal\u0131 renk profilleri tan\u0131n\u0131r ve i\u015flenir. <\/strong>
K\u00f6t\u00fc: Hi\u00e7biri g\u00f6sterildi\u011fi gibi bas\u0131lmayacakt\u0131r! <\/strong><\/p>\n\n\n\n

Adobe InDesign gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcleri nas\u0131l i\u015fler?<\/h2>\n\n\n\n

Adobe Photoshop'taki d\u00f6rt gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcy\u00fc Adobe InDesign'a aktard\u0131\u011f\u0131m\u0131zda nas\u0131l g\u00f6r\u00fcn\u00fcr? \u0130lk olarak InDesign'da renk ayarlar\u0131n\u0131 a\u00e7\u0131yoruz ve RGB ve CMYK i\u00e7in do\u011fru profilleri ayarl\u0131yoruz. Bu hemen fark edilir: Yaln\u0131zca RGB ve CMYK i\u00e7in profil belirleyebiliyoruz, InDesign'da Photoshop'ta oldu\u011fu gibi gri tonlama veya spot renk profili yok. G\u00fcvenli tarafta olmak i\u00e7in InDesign'da g\u00f6m\u00fcl\u00fc profilleri tutmas\u0131 gerekti\u011fini t\u0131kl\u0131yoruz, b\u00f6ylece ICC profilleriyle donat\u0131lm\u0131\u015f gri tonlama profillerinin de do\u011fru \u015fekilde i\u015flenece\u011fini umuyoruz.<\/p>\n\n\n\n

InDesign gri tonlamal\u0131 renk profillerini do\u011fru \u015fekilde koruyor mu? Hay\u0131r, tutmuyor. G\u00f6m\u00fcl\u00fc profilleri do\u011fru \u015fekilde tan\u0131mas\u0131na ve bunu ba\u011flant\u0131 bilgilerinde g\u00f6stermesine ra\u011fmen, arka plandaki gri tonlama profillerini tan\u0131d\u0131\u011f\u0131 ancak bunlar\u0131 uygulamad\u0131\u011f\u0131, sadece yok sayd\u0131\u011f\u0131 i\u00e7in d\u00f6rt g\u00f6r\u00fcnt\u00fcm\u00fcz\u00fc de ayn\u0131 \u015fekilde g\u00f6r\u00fcnt\u00fcler.<\/p>\n\n\n\n

Bunu k\u0131sa bir testle de g\u00f6sterebiliriz: T\u00fcm g\u00f6r\u00fcnt\u00fcleri Adobe InDesign'a aktar\u0131yoruz<\/p>\n\n\n\n

\"Proof.de<\/a>
Profillerle Adobe InDesign'a aktar\u0131ld\u0131ktan sonra gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcler: Dot Gain 15%, Dot Gain 20%, Dot Gain 25%, Dot Gain 30%: T\u00fcm g\u00f6r\u00fcnt\u00fcler tamamen ayn\u0131 g\u00f6r\u00fcn\u00fcyor. Farkl\u0131 g\u00f6sterimler yaln\u0131zca ba\u011flant\u0131lar i\u00e7in \u00f6nizlemede g\u00f6r\u00fclebilir, \u00e7\u00fcnk\u00fc profillerin t\u00fcm\u00fc do\u011fru \u015fekilde tan\u0131n\u0131r, ancak farkl\u0131 varsay\u0131lan ayarlara ra\u011fmen InDesign taraf\u0131ndan reddedilir.<\/em><\/figcaption><\/figure>\n\n\n\n

Adobe InDesign, gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcleri ve renk profillerini Acrobat i\u00e7in PDF'ye bu \u015fekilde aktar\u0131r<\/h2>\n\n\n\n

Adobe InDesign hala gri tonlama profillerini koruyor gibi g\u00f6r\u00fcnse de, Acrobat'\u0131n bir PDF X-3'e d\u0131\u015fa aktard\u0131ktan sonra art\u0131k herhangi bir profile sahip olmad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz: T\u00fcm g\u00f6r\u00fcnt\u00fcler 50% siyah, t\u00fcm DeviceN-Renk alan\u0131<\/a> \"Siyah\", yani 50% ile ISOCoatedv2'nin siyah kanal\u0131na atanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\"Proof.de<\/a>
Adobe Acrobat'ta Dot Gain 15%, Dot Gain 20%, Dot Gain 25% ve Dot Gain 30%'deki gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcler: Adobe InDesign'\u0131n t\u00fcm profilleri saklamas\u0131 gerekmesine ra\u011fmen t\u00fcm profiller at\u0131ld\u0131.<\/em><\/figcaption><\/figure>\n\n\n\n

Hata: Adobe InDesign gri tonlamal\u0131 renk profillerini yok sayar ve de\u011ferleri CMYK renk uzay\u0131n\u0131n siyah kanal\u0131na uygular<\/h2>\n\n\n\n

Bu nedenle, Photoshop'ta farkl\u0131 LAB de\u011ferlerine sahip olan Dot Gain 15%, 20%, 25% ve 30% renk profillerinde Adobe Photoshop'tan d\u00f6rt gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fc ile InDesign'da d\u00f6rt \u00f6zde\u015f gri alan olu\u015fturabilece\u011fimizi a\u00e7\u0131k\u00e7a g\u00f6sterebildik. Bunlar bir PDF dosyas\u0131na aktar\u0131ld\u0131ktan sonra bile ayn\u0131 kal\u0131r, yani ISOCoatedV2'den 50% siyah. Ancak ISOCoatedV2'nin 50% siyah de\u011feri en az\u0131ndan Photoshop'taki LAB de\u011ferlerinden biriyle e\u015fle\u015fiyor mu? Ne yaz\u0131k ki hay\u0131r, sonu\u00e7 ISOCoatedv2'nin hafif mavimsi ka\u011f\u0131t beyaz\u0131ndan kaynaklanan 62\/0\/-2'lik bir LAB. Sonu\u00e7: InDesign ve Acrobat'ta ortaya \u00e7\u0131kan gri ton be\u015finci bir renk de\u011feridir, d\u00f6rt LAB renginden hi\u00e7biriyle ortak bir yan\u0131 yoktur.<\/p>\n\n\n\n

Peki ya siyah beyaz g\u00f6r\u00fcnt\u00fclerle resimli bir kitap haz\u0131rlamak istersem? Gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcler Photoshop'ta r\u00f6tu\u015flanacak ve ard\u0131ndan InDesign arac\u0131l\u0131\u011f\u0131yla Acrobat'a aktar\u0131lacaksa, ancak her zaman ayn\u0131 g\u00f6r\u00fcnmesi gerekiyorsa? O zaman Photoshop'ta gri tonlama profili olarak hangi profili ayarlamam gerekir?<\/strong><\/p>\n\n\n\n

Adobe Photoshop, ISOCoatedV2'ye g\u00f6re ofset bask\u0131da bas\u0131laca\u011f\u0131 gibi gri tonlamal\u0131 bir g\u00f6r\u00fcnt\u00fcy\u00fc g\u00f6r\u00fcnt\u00fcleyebilir mi? <\/h2>\n\n\n\n

\u015eimdi d\u00f6rt g\u00f6r\u00fcnt\u00fcden 50% gri de\u011ferinin durumuna bir g\u00f6z atal\u0131m: Siyah beyaz resimli bir kitap, siyah beyaz bir poster veya siyah beyaz bir kartpostal basacak olsayd\u0131k, Photoshop'un g\u00f6r\u00fcnt\u00fcy\u00fc Flyeralarm'da bas\u0131laca\u011f\u0131 gibi g\u00f6stermesi i\u00e7in \u015fimdi neyi ayarlamam gerekirdi? yani ISOCoatedV2 300%? Yani Photoshop'taki 50% alan\u0131n\u0131n siyah \u00fczerinde 50% alan\u0131na d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc varsayarsak Bas\u0131n\u00e7 plakas\u0131<\/a> ve bu siyah ISOCoatedV2 300% standard\u0131na g\u00f6re mi bas\u0131l\u0131yor? Bu ayar Photoshop'ta varsay\u0131lan olarak bulunmaz. Yani burada bir hile mi kullanmam\u0131z gerekiyor?<\/mark><\/p>\n\n\n\n

Klasik Dot Gain 15% profilinin g\u00f6sterimi \u00e7ok yanl\u0131\u015ft\u0131r. En parlak noktas\u0131 LAB 100\/0\/0 ve en karanl\u0131k noktas\u0131 LAB 0\/0\/0'd\u0131r. Her ikisi de bask\u0131da elbette tamamen ger\u00e7ek d\u0131\u015f\u0131d\u0131r. ISOCoatedV2 300%'nin beyaz noktas\u0131 LAB 95\/0\/-2 ve en koyu saf 100% K siyah\u0131 16\/0\/0'd\u0131r.<\/p>\n\n\n\n

E\u011fer bir temsiline bakarsak Renk kan\u0131t\u0131<\/a> ISOCoatedV2 i\u00e7in, gri tonlama dosyas\u0131n\u0131n g\u00f6r\u00fcnt\u00fcs\u00fc \u00f6nemli \u00f6l\u00e7\u00fcde de\u011fi\u015fir. Ancak, siyah ve beyaz i\u00e7in yanl\u0131\u015f de\u011ferler bilgi kutusunda g\u00f6r\u00fcnt\u00fclenmeye devam ediyor.<\/p>\n\n\n\n

Adobe Photoshop i\u00e7in bir bask\u0131 profilinin siyah kanal\u0131n\u0131 olu\u015fturma<\/h2>\n\n\n\n

ISOCoatedV2 300%'nin siyah kanal\u0131n\u0131 gri tonlama profili olarak kullanmak i\u00e7in kullanmak<\/a> bir hile se\u00e7iyoruz: Gri tonlama profili olarak ISOCoatedV2 300%'yi se\u00e7meniz yeterli. Photoshop otomatik olarak ge\u00e7i\u015f yapacak ve size gri tonlama profili olarak \"ISOCoatedV2 300%'nin siyah kanal\u0131n\u0131\" g\u00f6sterecektir. Art\u0131k bu yeni gri tonlama profilini do\u011frudan Photoshop'tan bir ICC profili olarak kaydedebilirsiniz. <\/p>\n\n\n\n

\u015eimdi bu siyah kanal profilini Photoshop'ta gri tonlama profili olarak se\u00e7tiyseniz, Photoshop'ta normal g\u00f6r\u00fcn\u00fcmde hala yanl\u0131\u015f LAB de\u011ferlerini g\u00f6receksiniz. Ancak \u015fimdi rengi se\u00e7ersenizkan\u0131t<\/a> Photoshop'ta uygun CMYK profilinde, gri tonlamal\u0131 dosyan\u0131n parlakl\u0131k a\u00e7\u0131s\u0131ndan do\u011fru \u015fekilde g\u00f6r\u00fcnt\u00fclendi\u011fini g\u00f6receksiniz. Ancak sadece parlakl\u0131k a\u00e7\u0131s\u0131ndan: T\u00fcm de\u011ferler sadece \"L\" de do\u011frudur, ancak LAB'nin A ve B eksenlerinde her zaman n\u00f6trd\u00fcr. <\/p>\n\n\n\n

Photoshop yaln\u0131zca parlakl\u0131\u011f\u0131 do\u011fru \u015fekilde g\u00f6r\u00fcnt\u00fcler, ancak her zaman n\u00f6tr gri renkte kal\u0131r<\/h2>\n\n\n\n

Parlak mavimsi beyaz bir ka\u011f\u0131t PSO<\/a>UncoatedV3 Photoshop taraf\u0131ndan g\u00f6r\u00fcnt\u00fclenmiyor, Photoshop \"b\" eksenindeki -10 de\u011ferini tamamen yok say\u0131yor. Ancak en az\u0131ndan art\u0131k Photoshop'un bilgi penceresinde do\u011fru \"L\" de\u011ferini, yani do\u011fru parlakl\u0131\u011f\u0131 g\u00f6rebiliyorsunuz ve de\u011fer Dijital Renk \u00d6l\u00e7er'de de do\u011fru \u015fekilde g\u00f6r\u00fcnt\u00fcleniyor. \u0130deal olmasa da bu olduk\u00e7a yard\u0131mc\u0131 oluyor. Ayn\u0131 durum Adobe InDesign i\u00e7in de ge\u00e7erlidir: \"ISOCoatedV2 300%'nin Siyah kanal\u0131\" g\u00f6r\u00fcnt\u00fcs\u00fc \"ISOCoatedV2 300%\" tasar\u0131m\u0131na aktar\u0131l\u0131rsa, t\u00fcm gri eksen ayn\u0131 g\u00f6r\u00fcn\u00fcr, ancak yaln\u0131zca parlakl\u0131k ekseninde ger\u00e7ekten do\u011fru g\u00f6r\u00fcnt\u00fclenir. Sadece PDF d\u0131\u015fa aktar\u0131m\u0131ndan sonra Adobe Acrobat'ta siyah ve ka\u011f\u0131t beyaz\u0131 sim\u00fclasyonu a\u00e7\u0131kken do\u011fru renk de\u011feri g\u00f6r\u00fcnt\u00fclenir.<\/p>\n\n\n\n

Bunun arkas\u0131ndaki fikir, g\u00f6z\u00fcn ka\u011f\u0131t \u00fczerinde her zaman \u00e7ok h\u0131zl\u0131 bir beyaz dengesi kurmas\u0131 ve bu nedenle gri tonlar\u0131 her zaman olduk\u00e7a n\u00f6tr olarak alg\u0131lamas\u0131 olabilir: \u00d6rnek: Parlak beyaz bir ka\u011f\u0131da bakarsan\u0131z Do\u011fal ka\u011f\u0131t<\/a> beyaz bir g\u00f6mle\u011fin g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc basarsak, asl\u0131nda \u00e7ok mavimsi olmas\u0131na ra\u011fmen g\u00f6mle\u011fi hemen beyaz olarak tan\u0131r\u0131z. Ayn\u0131 \u015fey gazete ka\u011f\u0131d\u0131 i\u00e7in de ge\u00e7erlidir, ancak burada g\u00f6mlek en fazla a\u00e7\u0131k kahverengi olabilir, ancak gazete ka\u011f\u0131d\u0131n\u0131n a\u00e7\u0131k kahverengi rengi nedeniyle asla beyaz olamaz. <\/p>\n\n\n\n

O zaman bu \u00e7abaya de\u011fer mi? Kesinlikle de\u011fer. \u00c7\u00fcnk\u00fc avantaj\u0131 \u00e7ok a\u00e7\u0131k: Nihai renk profilinizle e\u015fle\u015fen bir siyah kanal profiliyle Photoshop'tan InDesign'a kadar tutarl\u0131 bir \u015fekilde \u00e7al\u0131\u015fabilir - en az\u0131ndan parlakl\u0131k s\u00f6z konusu oldu\u011funda - ve g\u00f6r\u00fcnt\u00fc alanlar\u0131n\u0131 do\u011fru \u015fekilde g\u00f6r\u00fcnt\u00fcleyebilirsiniz. PDF d\u0131\u015fa aktar\u0131m\u0131ndan sonra, ka\u011f\u0131t beyaz\u0131 ve renklendirme dahil olmak \u00fczere do\u011fru g\u00f6sterim Acrobat'ta da mevcuttur.<\/p>\n\n\n\n

Ayr\u0131ca Photoshop'taki Bilgi penceresini kullanarak do\u011fru parlakl\u0131k de\u011ferlerini \u00f6l\u00e7ebilir ve gri tonlar\u0131n istedi\u011finiz temsile uygun olup olmad\u0131\u011f\u0131n\u0131 veya \u00f6rne\u011fin derinliklerdeki ayr\u0131nt\u0131lar\u0131n \u00e7ok fazla kaybolup kaybolmad\u0131\u011f\u0131n\u0131 veya ortada \u00e7ok az kontrast olup olmad\u0131\u011f\u0131n\u0131 de\u011ferlendirebilirsiniz.<\/p>\n\n\n\n

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Proof.de: PSOUncoatedV3'\u00fcn siyah kanal\u0131n\u0131n yumu\u015fak ge\u00e7irmezli\u011fi K:1001'in Photoshop'unda g\u00f6r\u00fcnt\u00fclemeTP35T: LAB 33\/1\/0'\u0131n siyah de\u011feri burada yaln\u0131zca "L "de do\u011fru g\u00f6r\u00fcnt\u00fclenir.<\/a>
Proof.de: Yumu\u015fak ge\u00e7irmez<\/a> PSOUncoatedV3'\u00fcn siyah kanal\u0131n\u0131n K:100%'nin Photoshop'unda g\u00f6r\u00fcnt\u00fclenmesi: LAB 33\/1\/0'\u0131n siyah de\u011feri burada yaln\u0131zca \"L \"de do\u011fru \u015fekilde g\u00f6r\u00fcnt\u00fclenir. <\/figcaption><\/figure>\n\n\n\n
Proof.de: PSO'nun siyah kanal\u0131n\u0131n yumu\u015fak ge\u00e7irmezli\u011fiUncoatedV3 K:01'in Photoshop'unda g\u00f6r\u00fcnt\u00fclemeTP35T: LAB 93\/3\/-10'un ka\u011f\u0131t beyaz\u0131 burada yaln\u0131zca "L "de do\u011fru g\u00f6r\u00fcnt\u00fclenir.<\/a>
Proof.de: PSO'nun siyah kanal\u0131n\u0131n yumu\u015fak ge\u00e7irmezli\u011fiUncoatedV3 K:01'in Photoshop'unda g\u00f6r\u00fcnt\u00fclemeTP35T: LAB 93\/3\/-10'un ka\u011f\u0131t beyaz\u0131 burada yaln\u0131zca \"L \"de do\u011fru g\u00f6r\u00fcnt\u00fclenir. <\/figcaption><\/figure>\n\n\n\n
\"Proof.de:<\/a>
Proof.de: Gri tonlama profili PSOUncoatedV3 Renkli D\u00fc\u015f\u00fcn'de g\u00f6r\u00fcnt\u00fcleme: LAB 33\/1\/0 ile siyah de\u011fer ve LAB 93\/3\/-10 ile ka\u011f\u0131t beyaz\u0131 geni\u015fletilir<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Gri tonlamal\u0131 bir g\u00f6r\u00fcnt\u00fcy\u00fc do\u011frudan Photoshop'tan PDF'ye aktar\u0131rsam ne olur?<\/h2>\n\n\n\n

\u0130ki olas\u0131l\u0131k vard\u0131r: Ya Photoshop PDF'yi se\u00e7ilen gri tonlama profilinde d\u0131\u015fa aktar\u0131r ya da Photoshop hedef renk uzay\u0131nda, \u00f6rne\u011fin ISOCoatedV2, 330% alan kapsam\u0131na sahip orijinalde d\u0131\u015fa aktar\u0131r. Ancak bu durumda sadece siyah kanal doldurulmaz, renk PDF'deki t\u00fcm renk kanallar\u0131nda g\u00f6r\u00fcn\u00fcr. Bu nedenle gri tonlama profili d\u0131\u015fa aktarma s\u0131ras\u0131nda bir RGB gibi t\u00fcm kanallara ayr\u0131l\u0131r. RGB g\u00f6r\u00fcnt\u00fcdeki bir siyah CMYK PDF'de derin bir CMYK siyah\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fclece\u011fi gibi, gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcdeki derin bir siyah da derin bir siyaha d\u00f6n\u00fc\u015ft\u00fcr\u00fcl\u00fcr. Bu arada: Tam olarak ayn\u0131 koyu siyah CMYK 95\/95\/45\/95 i\u00e7in tam olarak en y\u00fcksek 330% alan kapsam\u0131 ve 9 \/ 3 \/ -3 LAB ile. Her ikisi de orijinal dosyalar\u0131nda LAB 0\/0\/0 oldu\u011fundan bu anla\u015f\u0131labilir bir durumdur.<\/p>\n\n\n\n

\n
\"Proof.de:<\/a>
Proof.de: Photoshop'tan PDF'ye gri tonlamal\u0131 d\u0131\u015fa aktarma: \u0130ki se\u00e7enek mevcuttur; gri tonlama profiline veya set soft gibi bir CYMK renk uzay\u0131na d\u0131\u015fa aktarmaKANITLAR<\/a><\/figcaption><\/figure>\n\n\n\n
\"Proof.de:<\/a>
Proof.de: Photoshop'tan PDF'ye gri tonlamal\u0131 d\u0131\u015fa aktarma: Set soft proof gibi bir CYMK renk uzay\u0131na d\u0131\u015fa aktar\u0131rken d\u0131\u015fa aktar men\u00fcs\u00fc<\/figcaption><\/figure>\n\n\n\n
\"Proof.de:<\/a>
Proof.de: Photoshop'tan PDF'ye gri tonlamal\u0131 d\u0131\u015fa aktarma: Gri tonlamal\u0131 dosya Acrobat taraf\u0131ndan belirtildi\u011fi gibi CMYK'ya d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Sonu\u00e7: Renk a\u00e7\u0131s\u0131ndan kritik siyah beyaz g\u00f6r\u00fcnt\u00fclerde Dot Gain 15% de\u011fil Photoshop'taki \u00e7\u0131kt\u0131 profilinin siyah kanal\u0131 kullan\u0131lmal\u0131d\u0131r<\/h2>\n\n\n\n

G\u00f6rd\u00fc\u011f\u00fcn\u00fcz gibi, \u00f6nceden ayarlanm\u0131\u015f Dot Gain 15% ile her zaman otomatik olarak yan\u0131l\u0131rs\u0131n\u0131z. Bu nedenle \u00e7\u0131k\u0131\u015f profiliniz i\u00e7in siyah bir kanal se\u00e7mek her zaman \u00e7ok daha iyidir ve t\u00fcm programlar taraf\u0131ndan parlakl\u0131k a\u00e7\u0131s\u0131ndan uygun \u015fekilde g\u00f6r\u00fcnt\u00fclenir. Sizi biraz zahmetten kurtarmak i\u00e7in, klasik bask\u0131 y\u00f6ntemlerinin en \u00f6nemli renk profilleri i\u00e7in siyah kanal\u0131n gri tonlamal\u0131 profillerini olu\u015fturduk ve bunlar\u0131 buradan kolayca indirebilirsiniz. Gerekli profilleri renk profili klas\u00f6r\u00fcn\u00fcze kopyalayabilir, Photoshop'u yeniden ba\u015flatabilir ve ard\u0131ndan gri tonlama profili olarak uygun siyah kanal\u0131 se\u00e7erek do\u011frudan \u00e7\u0131kt\u0131 renk alan\u0131n\u0131z\u0131n siyah kanal\u0131nda \u00e7al\u0131\u015fmaya ba\u015flayabilirsiniz.<\/p>\n\n\n\n

Profilleri i\u00e7eren ZIP dosyas\u0131n\u0131 buradan indirebilirsiniz<\/a>. A\u015fa\u011f\u0131daki profiller dahildir:<\/p>\n\n\n

\n
\"Proof.de<\/a><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Adobe \u00fcr\u00fcnleri g\u00f6r\u00fcnt\u00fc r\u00f6tu\u015flama ve mizanpaj i\u00e7in idealdir ve RGB ve CMYK renk profillerini \u00e7ok iyi i\u015fler. Ancak, \u00f6rne\u011fin siyah beyaz resimli bir kitap i\u00e7in gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcleri d\u00fczenlerken ve r\u00f6tu\u015flarken, deneyim farkl\u0131d\u0131r. G\u00f6r\u00fcnt\u00fcler InDesign'da aniden Photoshop'takinden tamamen farkl\u0131 g\u00f6r\u00fcn\u00fcr ve gri tonlamal\u0131 g\u00f6r\u00fcnt\u00fcler PDF'ye aktar\u0131l\u0131rken de aniden farkl\u0131 muamele g\u00f6r\u00fcr. Bu makalede, InDesign ve Photoshop mizanpajlar\u0131nda siyah beyaz g\u00f6r\u00fcnt\u00fcler ve gri tonlamal\u0131 profillerle ilgili sorunlar\u0131n nerede oldu\u011fu ve en az\u0131ndan Photoshop ve InDesign'da renkleri nas\u0131l \"do\u011fru\" hale getirebilece\u011finiz a\u00e7\u0131klanmaktad\u0131r. <\/p>\n

Daha fazla bilgi edinin<\/a><\/p>","protected":false},"author":2,"featured_media":6048,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[553,1447,1445,1439,1440,1441,1442,1443,1434,1435,1436,819,821,1444,1437,1438,1446],"class_list":["post-5850","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","tag-adobe","tag-bildband","tag-black-ink","tag-dot-gain","tag-dot-gain-15","tag-dot-gain-20","tag-dot-gain-25","tag-dot-gain-30","tag-graustufen","tag-graustufen-profil","tag-graustufen-profile","tag-indesign","tag-photoshop","tag-schwarzkanal","tag-schwarzweiss","tag-schwarzweiss-bild","tag-schwarzweiss-bildband","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50","no-featured-image-padding","resize-featured-image"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t